Everyone has a story to tell, and common dream is to publish a book. With the avalanche of manuscript submissions the rules for acquiring books had to change. The publishing companies had to develop guidelines and redefine. To answer the problem, we have to find out how publishers choose fiction manuscripts for print and profit. The Authors would go through a rewrite replacing as many pages as necessary. According to R.R. Bowker Company (Cox 2000), 53,000 new book titles roll of the presses. Publishing houses print basically two types of books: fiction, non-fiction. Non-fiction books cover biographies, self-help, how to, travel, and myriad genres too many to list. I will report how fiction publishers compete for success in a fiction producing industry. For example, William D. Watkins, acquisitions editor of Broadman & Holman Publishing, reported in a 1998 writer’s conference that publishers of religious fiction seek their reading audience; 35-year-old women readers.
Selection Criteria
The Acquisitions Editor has the huge job of being proactive in the writing market place. Authors seek many publishers because they are experts in the field which they publish. These experts/publishers break down the company into departments of fiction and non-fiction, and then by genre. An acquisitions editor may find himself working in a department or genre and will be proactive in finding new authors, researching the marketplace, negotiating contracts and developing books.Cox also relates that the acquisitions editor is busy dealing with unsolicited manuscripts. This is a touchy area since not too many publishers want to risk the $10,000 to $18,000 it takes to publish book on an unknown or unpublished author. However, the very manuscripts they reject another company may accept and publish a best seller.Celebrity used to sell books (Marks, 1998) now the trend has changed. The large book publishing companies who used to award million dollar contracts can no longer afford to do so. Smarter acquisitions are necessary.The acquisitions editor must have a standard for selecting manuscripts and adhere to that strict set of rules. Finally, the manuscript must meet the standards of the publishing company. For example, Broadman and Holman Publishing Company does not want erotica or profanity and the Wilshire Publishing Company only wants stories that have characters overcoming insurmountable odds (Young 2000). According to McHugh, he might pitch author credentials, subject of book, the description of the work, marketing to targeted audience, finances and editorial development. If the acquisitions editor manages to sell the manuscript, the company must immediately begin a marketing plan. Early on, the publisher should satisfy questions of; who is the intended audience, where can we reach them, is the author willing to travel to sign the book, should the author travel, how much should the book cost, how many copies should we make? This committee of reviewers will have as much pull as the acquisitions editor as they share responsibility on book acceptance. This author managed to have a manuscript accepted by an acquisitions editor pending on the outcome of the review committee. The committee voted not to accept the manuscript. During the acquisitions process, the editor will rarely contact the author and may reject the manuscript without giving reason. One frustrating mistakes new authors make is Point of View (POV). Abusing POV in a story causes confusion for the reader.While still twenty yards from the clearing, John could make out Marta and another man carrying a pot.
John was fuming, barely in control. John shouted before changing positions.Release, Marta and you won’t get hurt,” John yelled, sounding like a scene from bad movie. John was fuming, barely in control. John shouted before changing positions. Author Responsibility Fewer authors actually submitted stories. Publishers could pick and choose as they sought out new authors. The publishing companies had to change its vision of seeking authors to filtering through the piles of endless manuscript submissions. The publishers have developed strict submission guidelines that put the author in a position to be editor and publicist just to get a query letter read.
Acquisition
Today, manuscripts end up in one of three piles; review later, discard, and review immediately. Some authors haphazardly send whole manuscripts, completely disregarding the publishers’ needs. The authors have researched the name and mailing address of the acquisitions editor, they have submitted their manuscript in accordance with the publisher policy. The discard pile is not normally a heap of worthless manuscripts. This pile consists of manuscripts that do not meet the needs of the publisher. This pile is reserved for several different authors. One set of authors may have pitched the book at a writer’s conference and won the confidence of the editor after a face-to-face meeting. This process may sound cruel and inhumane, leaving many authors run screaming in frustration. The preceding paragraph assures that the publisher assumes the risk of manuscript selection. The manuscript is only as successful as the marketing professionalism of a publishing company and the ability of the author. Not a productive ingredient to the success of a book.
New publishing companies emerge monthly to rival and steal business from corporate giants. Thier practice of prevention and quality control work hand in hand toward successful book publishing.
Source by ezinearticles.com
Selection Criteria
The Acquisitions Editor has the huge job of being proactive in the writing market place. Authors seek many publishers because they are experts in the field which they publish. These experts/publishers break down the company into departments of fiction and non-fiction, and then by genre. An acquisitions editor may find himself working in a department or genre and will be proactive in finding new authors, researching the marketplace, negotiating contracts and developing books.Cox also relates that the acquisitions editor is busy dealing with unsolicited manuscripts. This is a touchy area since not too many publishers want to risk the $10,000 to $18,000 it takes to publish book on an unknown or unpublished author. However, the very manuscripts they reject another company may accept and publish a best seller.Celebrity used to sell books (Marks, 1998) now the trend has changed. The large book publishing companies who used to award million dollar contracts can no longer afford to do so. Smarter acquisitions are necessary.The acquisitions editor must have a standard for selecting manuscripts and adhere to that strict set of rules. Finally, the manuscript must meet the standards of the publishing company. For example, Broadman and Holman Publishing Company does not want erotica or profanity and the Wilshire Publishing Company only wants stories that have characters overcoming insurmountable odds (Young 2000). According to McHugh, he might pitch author credentials, subject of book, the description of the work, marketing to targeted audience, finances and editorial development. If the acquisitions editor manages to sell the manuscript, the company must immediately begin a marketing plan. Early on, the publisher should satisfy questions of; who is the intended audience, where can we reach them, is the author willing to travel to sign the book, should the author travel, how much should the book cost, how many copies should we make? This committee of reviewers will have as much pull as the acquisitions editor as they share responsibility on book acceptance. This author managed to have a manuscript accepted by an acquisitions editor pending on the outcome of the review committee. The committee voted not to accept the manuscript. During the acquisitions process, the editor will rarely contact the author and may reject the manuscript without giving reason. One frustrating mistakes new authors make is Point of View (POV). Abusing POV in a story causes confusion for the reader.While still twenty yards from the clearing, John could make out Marta and another man carrying a pot.
John was fuming, barely in control. John shouted before changing positions.Release, Marta and you won’t get hurt,” John yelled, sounding like a scene from bad movie. John was fuming, barely in control. John shouted before changing positions. Author Responsibility Fewer authors actually submitted stories. Publishers could pick and choose as they sought out new authors. The publishing companies had to change its vision of seeking authors to filtering through the piles of endless manuscript submissions. The publishers have developed strict submission guidelines that put the author in a position to be editor and publicist just to get a query letter read.
Acquisition
Today, manuscripts end up in one of three piles; review later, discard, and review immediately. Some authors haphazardly send whole manuscripts, completely disregarding the publishers’ needs. The authors have researched the name and mailing address of the acquisitions editor, they have submitted their manuscript in accordance with the publisher policy. The discard pile is not normally a heap of worthless manuscripts. This pile consists of manuscripts that do not meet the needs of the publisher. This pile is reserved for several different authors. One set of authors may have pitched the book at a writer’s conference and won the confidence of the editor after a face-to-face meeting. This process may sound cruel and inhumane, leaving many authors run screaming in frustration. The preceding paragraph assures that the publisher assumes the risk of manuscript selection. The manuscript is only as successful as the marketing professionalism of a publishing company and the ability of the author. Not a productive ingredient to the success of a book.
New publishing companies emerge monthly to rival and steal business from corporate giants. Thier practice of prevention and quality control work hand in hand toward successful book publishing.
Source by ezinearticles.com
1 comments:
wonderful publisher article
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